Jerzy Drozd
Teaching Artist and Cartoonist
Jerzy Drozd
Teaching Artist and Cartoonist
Audio journals on making and teaching comics.
Today I explain my thinking process behind the design of He-Man in that big Masters of the Universe pitch I recently put together, and use it as a modeling exercise to highlight the various elements of communication in character design.
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We often look back on our old work and groan. Why is this? Is it humble to talk our old work down, even when someone is responding to it positively? What changes when we approach our body of work (big
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TPD returns with some thoughts on writing in the medium that works for you and how urgency can be the inspiration killer! Links mentioned: The Lean Into Art Cast with David Seah Young-ha Kim’s Ted talk: Be An Artist, Right
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TPD is back! I took advantage of Richard Stevens’s visit to the United States (and his recent convention experience at Kids Read Comics) to get his perspective on tabling at a convention for the first time. Together we turn his
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Working on one of the locations for the new Front comic. I’m a cheater! #sketchup jerzydrozd.tumblr.com/post/174536452… — Jerzy Drozd (@Jerzy) February 11, 2012 I asked for it! I made a joke about “cheating” at my art, and it got
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But when I start?I’m a beginner who knows nothing.Which, come to think of it, is a very good thing.⁰ — J.M. DeMatteis (@JMDeMatteis) January 24, 2012 Today I share some of my experiences in thumbnailing the new Front story I
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In this extra-sized episode of Thunder Punch Daily I catch up on where I’ve been, how I’ve been playing Don’t Tip the Waiter for the last month, how I’ve tried to fix that with the help of David Seah, and
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Today I share some thoughts on how a simple nudge from Kim Holm faced me with an inner demon that I suspect comes out of my history with mainstream comics. I don’t land on an answer to the issue, but
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Today I follow up on a discussion started in Comics Are Great! episode 30 with some thoughts on character design from a writing standpoint. I share three different aspects that I oscillate between when creating characters. Music for this show
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In a rush to make a deadline on a “freelance” project, I found out some neat ways to integrate my coloring style with my brush work style. I wander around how I did it in this audio essay. Links mentioned
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